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Maíz

Recycled aluminum, 2024

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Maiz, the founding plant of Mesoamerican civilizations and a millennial symbol of identity and memory, is here transposed into an industrial, recycled material: aluminum. This material translation carries a critical charge. The shape of the kernel, cast in recycled aluminum, shifts between several readings: it evokes, in turn, the cannonball, the blade, the instrument of coercion, so many figures of the colonial violence inflicted upon the peoples and territories nourished by this same plant. Maize thus becomes a double object, at once a nourishing seed and a silent weapon, a symbol of resistance as much as a trace of domination. In choosing a recycled material, Oviedo Vega also situates his gesture within a contemporary decolonial reflection: transforming industrial waste into an object carrying ancient memory is a refusal of erasure, a reaffirmation of the persistence of American identity in the face of colonialism's legacies.

Paintings

These paintings correspond to the solo exhibition "From Origins to Horizons," presented by Rodolfo Oviedo Vega at the Art Museum of the Americas (AMA/OAS), Washington D.C., in 2024.

Piedra de Moler
Derroque.jpg

Piedra de Moler
Acrylic and mixed media on canvas
192 x 128 cm

París 2024

La Chute

Acrylic and mixed media on canvas

195 x 114 cm

París 2024

5O8B8989.JPG
5O8B8990.JPG

Serpiente, estrella, mar y muerte
Acrylic and mixed media on canvas

192 x 128 cm - 192 x 128 cm

Paris 2024

Serpiente, estrella, mar y muerte

Acrylic and mixed media on canvas

192 x 128 cm - 192 x 128 cm

Paris 2024

Neon

Caelum - Populo
Caelum - Populo

Neón

Variable dimensions

Babolsar 2018

The neon works function as a suggestive counterpoint to the rest of the body of work: they are not meant to be read in isolation, but as signals linking the series to one another. Text appears here in its most stripped-down form, sometimes in Latin, sometimes drawn from sacred texts, opening a space of play between people and sky, between earthly speech and its address to the invisible. Light, an immaterial matter, becomes the language that runs through and connects the whole of the work.

Neon marelle.jpg
Marelle

Neón

Variable dimensions

Babolsar 2018

Volens neon.jpg
Volens

Neón

Variable dimensions

Babolsar 2018

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